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Monday, May 20, 2013

Disney Film Project Podcast - Episode 124 - Toby Tyler



This week the DFPP team and their friends Adam and Andrew take a trip to the circus to drink some purple lemonade and end up being held hostage by a gun toting chimpanzee that steals concessions and rides a horse in the 1960 family film Toby Tyler.

Monday, May 13, 2013

Disney Film Project Podcast - Episode 123 - Iron Man 3 - Live Show


Nothing’s been the same since The Avengers. The DFPP team saw things... repeatedly, and then they waited. Wide eyed and dreaming. Waiting for the return of Tony Stark and his armored flying machines in the 2013 action adventure Iron Man 3.

Tuesday, May 7, 2013

The Reluctant Dragon Review by Briana Alessio


This heartwarming film from 1941 is not your average Disney film yet it contains the same beloved qualities of one.  There is not a lot of action or plot, but Walt Disney surely knew what he was doing when he made this one.

We open with the Benchley couple, relaxing at their pool.  Mrs. Benchley has just completed reading a book called The Reluctant Dragon to her husband.  She comes up with the idea that Walt Disney might want to turn this book into a film.  After a back and forth conversation of the wife wanting to go and the husband not wanting to go, Mr. Benchley basically says they are “not going and that’s final.”

In the next scene, we see the Benchleys in the car which is a humorous follow-up scene to his protest.  Mrs. Benchley decides she is going to leave the premises (which is honestly beyond confusing and frustrating after she pressured him to go).  

The curious Mr. Benchley arrives at Walt Disney Studios and we soon see the famous Dopey Drive and Mickey Avenue signs lining the street (see Fact #2 below).  A young lad by the name of Humphrey begins to lead him around the property, explaining everything they are seeing.  Benchley quickly becomes bored of Humphrey and begins to wander around.  He quite literally crashes into an art class and witnesses the drawing of a model elephant. 

He also stumbles into a room where an orchestra is practicing.  He is overwhelmed when he sees Florence Gill.  He assumed she would be singing an operatic piece…instead, she steps up to the microphone and some unusual bird noises come out.  We also meet Clarence Nash (!!!) the voice of Donald Duck.  Their interaction is heartwarming and, for lack of a better term, absolutely magical. 

Next he walks into a sound room where work is going on for the recording of the Casey Junior Circus Train Song.  (At this point, we have assumed that they are in the middle of preparing for their film Dumbo which was also released in 1941.)  We see an unbelievably awesome scene of how the train’s sounds are created as well as the background noises such as the storm. 
We see a couple of miscellaneous, cool scenes following this.  One happens to star the amazing Donald Duck who appears to be yelling at Mr. Benchley, instructing him as to how he walks.  There is a fantastic mixing of colors to show how part of a scene from Bambi was colorized.  At one point, an animator creates a bust of Mr. Benchley for him, which he carries around with him throughout the rest of the film.  (This reminds me much of the 1966 musical A Funny Thing Happened On The Way To The Forum where the character Senex carries around a bust with him through much of the film – parental guidance required for that one.)

Animators then discuss a frightening short called Baby Weems – this was most likely my least favorite part of the film.  It is just disturbing, in my opinion.  However, we do witness the short through choppy images instead of a moving animated picture which is neat.  Mind you, during this time, Humphrey is searching all across the Walt Disney Studios buildings for the wandering Mr. Benchley.

Next we see an incredible Goofy short called How to Ride a Horse.  Words cannot describe how enjoyable this is.  The Goofy shorts are some of my personal favorite Walt Disney productions.  They are hilarious and good to watch when you are in any kind of mood.  They always contain the classic qualities we know and love about Disney.

An unhappy Humphrey runs into Goofy and brings him to Walt Disney.  My heart literally jumped for joy seeing our beloved Uncle Walt sitting among his treasured animators.  Much to Mr. Benchley’s surprise, Walt invites him to sit with them and watch a new short which he just made…The Reluctant Dragon.  The short which follows is adorable and a ton of fun to watch.  He is not your typical dragon.  To summarize, this kid meets a dragon who has a passion for poetry, and he wants to save him from killers.  He introduces the dragon to a man named Giles who is a poet.  They get along famously and everyone lives happily ever after.  This is one short which is worth watching rather than my explaining each detail.

The last scene of the film shows the Benchley couple in the car, driving home.  He has explained to her that Mr. Disney already had the idea to make a short out of the book, to which Mrs. Benchley replies that he was too busy “shilly shallying” and he should have taken action beforehand.

Mr. Benchley is played by the actor Robert Benchley who appeared in a bunch of films from the 1940s.  Nana Bryant plays Mrs. Benchley.  Bryant appeared in a ton of films including 1938’s The Adventures of Tom Sawyer and 1950’s Harvey.  We also see a plethora of voice actors and some of Disney’s most valued animators.  The film was directed by Alfred L. Werker and Hamilton Luske.  Werker directed a ton of films from the 1930s and 1940s while Luske directed a bunch of Disney films including Cinderella and Lady and the Tramp

Five Facts:
1.) How to Ride a Horse was the first of several of these Goofy shorts where he does not actually speak.
2.) The Mickey Avenue and Dopey Drive signs were made for this film and were supposed to be removed after the making of it.  They still stand.
3.) Sadly, most of the “animators” in the film were actors hired to portray said animators.  This was filmed during a strike by half of the actual animators, so although they look like a happy family, it was quite the opposite.
4.) This is the first full length Disney film where voices are credited.
5.) The bust of Robert Benchley was made in advance despite appearing like it was just made.  It gradually destroyed as the film was made.

From beginning to end, The Reluctant Dragon is an enjoyable film.  I love that they intertwine animation with live action to make the characters, both human and animated, blend together.  Despite seeing some voice actors, Disney surely kept the magic alive through its production.  Unsurprisingly, I teared up at times such as the scene where Walt Disney appeared on screen.  Even seeing Clarence Nash brought a tear to my eye as this brought up a ton of wonderful memories I’ve had through the years.  I would highly recommend seeing this for individuals of all ages.  There is a little something for everyone from your passionate Disney fan to your child who loves dragons.



My Rating:  4/5

You’ve got to be mad to breathe fire, but I’m not mad at anybody. 

Monday, May 6, 2013

Disney Film Project Podcast - Episode 122 - The Reluctant Dragon



This week the DFPP team sits down to have tea with a dragon who tells them a tale of the smartest baby in the world who they try to track down after learning how to ride horses in the 1941 live action and animated package film The Reluctant Dragon.

Thursday, May 2, 2013

The Olympic Elk

The True Life Adventures series is part of a grouping of features that Disney put out in the late 1940s/early 1950s that shows the problems the company had.  A company that was once daring and put out features that challenged existing wisdom was now churning out product to fill space on distribution schedules.  The original True Life Adventure, Seal Island, won an Oscar, and was somewhat compelling, but by the time we get to The Olympic Elk, the series has a formula and hesitates to deviate from it whatsoever. 



The focus in The Olympic Elk is the Olympic peninsula in Washington, and showing the migration of the elk from the lowland valleys to the snow capped mountains.  But it follows the same basic outline we have seen from the shorts so far: opening with an animated sequence showing the setting and place, then moving on to a focus on a particular group of animals before eventually settling into a story about one particular animal in that group.  That’s not a criticism, as it’s a good way to expose the brilliant nature photography to the masses, but when you watch several of these shorts, it becomes very easy to discern director James Algar’s rhythms and go-to ideas.



The story of the elk migrating from the bottom of the mountains to the tops where they rest is actually an improvement over things like Nature’s Half Acre, where the story all took place over the course of seasons but with no movement.   Tracking the movement of the elk up the mountain offers more of a kinetic nature to the short.  As with all the nature films, though, the problem is the lack of a compelling plot or characters to keep the audience invested in what happens next.



There is a slight threat to the elk from a black bear looking to prey on them, but for the most part, the conflict the elk must overcome is the actual mountain in the way.  The mountain, needless to say, makes a bit less compelling adversary than a villain like Chernabog or Malieficent.  The good news is that Algar takes care to use the best shots, and showing the impact of the terrain on the elk and vice versa.  It’s a nice snapshot of what these animals go through, all the way up through the fight over the females between two male bucks.



I’ve made no bones that the True Life Adventure series is not my thing.  There just isn’t much in the series that appeals to my desire for strong plot and character development.  That said, The Olympic Elk is probably the tightest of the shorts to date.  We are quickly introduced to the elk, their migration pattern then follow it through to the end in a brisk 24 minutes.  I wasn’t bored and didn’t find my attention drifting as much as it had with the other True Life Adventures.  It’s a good entry in what I find to be a subpar series.

Monday, April 29, 2013

Disney Film Project Podcast - Episode 121 - Rob Roy: The Highland Rogue



This week the DFFP team heads back in time to the Scottish Highlands to help a local legend, but can’t find anyone using that name and when the local Duke won’t help them they go straight to the King in the 1953 adventure Rob Roy: The Highland Rogue.

Thursday, April 25, 2013

Hello Aloha

Goofy’s evolution into the suburban dad George Geef has been a strange transition to say the least.  After all, this is a character who flew to fame on the back of being a bumbling fool, making all kinds of mistakes on various sports or other tasks.  To make him then a part of a suburban community seems a bit awkward.  In Hello Aloha, the Disney team managed to make it fit better by having George Geef experience something universal – the desire to escape the daily grind for a tropical paradise.



The transition from the work a day world to the tropical paradise where Goofy spends the majority of the short is probably the most awkward bit of it.  After being berated by his boss and basically embarrassed, Goofy drifts off into a dream and walks across a cloudscape into a tropical land.  I’m not going to suggest that the Disney team were imbibing while at work, but I will say it wouldn’t surprise me.  It accomplishes the goal, though, which is to get Goofy into the tropical land where the rest of the short takes place.



The island has to be Hawaii, but it really doesn’t matter.  It’s there to represent the dream that all work a day drones have from time to time, of escaping the real world and moving on to live a life that is stress free in some warmer climate.  Everything flows from that premise, and it makes the short carry this dreamlike quality.  It feels like something that is happening but yet not real all at the same time.  Especially because every native on the island is also a clone of Goofy.



This short takes on the qualities of the “How To” shorts, with the narrator reading the story of the island to the audience while Goofy messes things up.  It is poking fun at the idea that this island escape is actually worthwhile.  My favorite scene is the Goof lying in a hammock, swinging from side to side.  As he hits the left side of the screen, he’s taking time to paint, then as he swings to the other side, types a novel on a typewriter.  It’s a great mockery of the myth that if only we had the time away from the work  a day world, we’d all be great artists.



The final nail in the coffin, almost literally, is when the natives pick up the newcomer Goofy and toss him into a volcano.  It’s a very nice takedown of that tropical myth that things will be so much better if we got away.  While there may be some truth to that, in the end, the grass isn’t always greener.  That’s the main thing I liked about Hello Aloha, is that it had a subversive quality to it.  It was funny, but still something that would cause comfortable suburbanites to think a bit.  That is exceedingly rare in this era of Disney animation.

Tuesday, April 23, 2013

Lambert the Sheepish Lion

From time to time, Disney did experiment with different things in the late 1940s and early 1950s.  Part of it was just having the time to do things, as Walt turned his eye more towards Disneyland, and part of it was the ability to look back at other things they had done and mirror that.  Lambert, the Sheepish Lion, is pretty much something straight from the package features like Melody Time and Make Mine Music.  It’s a simple fable based around a simple song, and honestly becomes one of the most memorable Disney shorts of this time period.



It’s so much like the package features partially because it features the amazing narration and voice work of Sterling Holloway, best known as the original voice of Winnie the Pooh.  Holloway pulls double duty here as both the narrator and reprises the role of the stork that he played so memorably in Dumbo.  In this case, the stork again makes a delivery, this time accidentally dropping a lion in amongst a flock of sheep.  Unfortunately for him, one of the ewes takes a shine to the little lion and refuses to let him correct the mistake.



The title, then, is a very clever play on words, as Lambert, the little lion, is not only sheepish in that he’s raised by sheep, but as we see, he is a bit of a coward.  That’s the basis of the titular song, as the sheep around Lambert taunt the little lion, knocking him over, and forcing him to run away.  Lambert is unaware of the power he holds as a lion, and doesn’t have a thought of fighting back to the rather mean sheep.  But the song?  It’s an earworm.  I watched the short and have been singing it silently ever since.  It would have fit right in with the package features.



The flip of the switch occurs when Lambert grows up, and goes from a little lion cub to a full fledged lion.  He’s still a coward, but now everyone’s a little more forgiving, since they know he could turn around and eat them.   It’s not until a wolf menaces his mother that Lambert becomes a vicious killing machine.  He roars, he chases the wolf off, and he becomes a hero.  It’s a cute little turn, watching this adorable lion become a protector of his sheep clan.



It proves that if done well, Disney was able to introduce new characters.  Lambert is one they didn’t revisit since, but you can find him around.  In the new Storybook Circus at Walt Disney World, for example, there’s a poster of Lambert.  And you’ll find references to him in other places around the Disney parks and resorts.  It all started here, though, with a short that had a lot of heart, good story, and good music.  That combination was something that the serial shorts like Donald and Goofy were missing at this time.  

Monday, April 22, 2013

Disney Film Project Podcast - Episode 120 - College Road Trip


This week the DFPP team heads out on the road to start checking out colleges for Her Majesty when they realize that what would really make the trip better for them is a police cruiser, a pig, and some skydiving in the 2008 comedy College Road Trip.

Wednesday, April 17, 2013

Donald Applecore

Donald Applecore represents the way that Donald’s shorts have devolved in this period of Disney history.  For this era, it’s all about Donald fighting Chip and Dale over some food item.  There’s been nuts, pancakes, pies and now apples.  The problem is that there is not much different between each of them.   Donald is either doing a business or growing things, the chipmunks come and interrupt that, then they fight, and the chipmunks usually get the upper hand.



For Donald Applecore, the short focuses on Donald running an apple grove, where he stores his “delicious apples” as the painting on his barn says.  There is a possible place where things could diverge right at the beginning of the short, but it doesn’t.  When Donald catches Dale eating his apples, Dale offers to take Donald into his tree and show him their stash.  There’s a chance there for things to go a different way.  Sadly, it’s the same thing over again.



The chipmunks don’t share, they taunt Donald, throw him out of their tree and end up stealing more apples.  There are a few brief moments of back and forth before Donald calls in the big guns.  Random things like apples rolling down tree branches and Donald sticking his head into trees fill space until things get weird with Donald in a plane.  Yes, Donald in a crop duster style plane.  It’s so crazy that it almost salvages the short.



The last few minutes of this short involve this plane flying over the crops and spraying all sorts of harmful gases or other concoctions at the chipmunks.  The craziness ensues when Donald starts throwing everything he has into the plane, including something labeled “Atomic Pills.”  It’s nuts! As Donald flies around the farm, he is firing pellets of this atomic mixture out of the rear end of the plane and destroying everything in its path.



This random destruction ends when Donald shoots a pellet into his chicken coop (and why he has a chicken coop on an apple farm I don’t know) and a chicken eats it.  The resulting egg explodes and literally blows a hole through the world to China, where Donald ends up.  It just becomes so bizarre that it’s hard to enjoy.  In the end, though, it becomes the same exact thing that all Chip and Dale shorts are, which is them enjoying a victory over Donald and enjoying the fruits of their labor.