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Tuesday, June 18, 2013

Lilo & Stitch Review by Briana Alessio


This big hearted animated film from 2002 stars a young Hawaiian girl who befriends an alien.  Many Disney fans are against the Stitch’s Great Escape attraction inside of Tomorrowland at the Walt Disney World Resort.  However, you cannot help but smile at his antics in the film. 

The film opens with an extra-terrestial court setting.  Experiment 626 (Stitch’s name on his planet) is known as the first of a new species.  The Grand Councilwoman of the planet orders him to be taken away in a desert asteroid.  On the way, he escapes with a flying vehicle of sorts, heading to a planet called “Eee-arth.”  Meanwhile, his creator named Jumba is put into prison and a one-eyed loopy-minded creature by the name of Pleakley is put in charge of his welfare.

We pan over to Hawaii where the inhabitants are catching waves at a beach.  We see an adorable little girl run over to take a picture of a rather large man wearing sunglasses and attempting to eat an ice cream cone, who appears a few other times in the film.  She arrives just in time to her hula concert.  We meet Nani, Lilo’s older sister, who is the parental figure in her life.  (We find out later on that their parents had sadly passed away.)  We meet an interesting social worker named Mr. Bubbles who checks in periodically with how they are doing.  Unfortunately, Nani cannot seem to have a grasp on the situation and continually loses both patience and the ability to control her little sister.

We then see the first “real talk” scene of the film where Nani and Lilo discuss the meaning of ohana: “ohana means family, and family means nobody gets left behind…or forgotten.”  Lilo and Nani see an explosion and wonder what it is.  Little do they know they are in for the ride of a lifetime.  The next day, the sisters go to the kennel to adopt a dog.  Stitch has, of course, crashed onto Earth and broken into the kennel.  The first interaction between Lilo and Stitch is awesome – she says hi and he returns her greeting with an excited “HIIIIII!” Her eyes bug out of her head and she immediately wants him.

Lilo spends time trying to teach Stitch how to be a regular “dog.”  Nani works at a restaurant where fire dancers put on shows – in fact, there is one in particular named David who likes her.  Chaos erupts thanks to Stitch and Nani is fired.  Nani’s explanation to Lilo as to why she was let go was hilarious – “The manager is a vampire and wanted me to join the legion of the undead” to which Lilo quietly responds “I knew it.”  Another great scene is when Stitch finds a blender in the kitchen and proceeds to turn it on and open the top, which results in him screaming. 

Nani attempts to get a job but Stitch manages to ruin every interview she has by causing some form of trouble.  At the final interview for a lifeguard position on a beach, Stitch comes out dressed as Elvis Presley to entertain beachgoers (my least favorite scene of the film – way too corny).  Mr. Bubbles witnesses this going on and basically informs Nani that she should be out of Lilo’s life.  Meanwhile, Jumba and Pleakley have been on Earth for a while and are also checking out what’s going on, planning how they will catch Stitch. 

Next comes the saddest part of the entire film.  A devastated Stitch reads part of The Ugly Duckling and says “I’m lost” out loud.  Per usual, I began to cry hysterically.  His little voice and ears bent downward are enough to cause the heartstrings to break.  Jumba finds Stitch and tells him that he will never belong.  Stitch replies with the other heart wrenching line of the film, stating that he was waiting for his family. 

The last part is a bit all over the place while still well done.  David finds Nani a job offer.  Jumba and Pleakley bombard the house in hopes to catch Stitch.  The house unfortunately gets blown up in the process.  Mr. Bubbles puts Lilo in the car and Stitch gets captured.  Lilo escapes the car and ends up being stolen with Stitch.  An elaborate rescue mission takes place which ends in the safe return of both Lilo and Stitch.  The Grand Councilwoman arrives on Earth to bring Stitch back to their planet, but after his heartfelt speech, the Councilwoman decides that he can stay on our planet.  Jumba and Pleakley turn into good guys and in turn help the family build a new house.  The film ends with photographs taken of the happy family.

Lilo was voiced by Daveigh Chase who continued to voice Lilo for the sequels, video games and the animated series; she has also appeared in many television shows.  Christopher Michael Sanders voices Stitch.  Sanders was also a director for the film.  David Ogden Stiers portrays Jumba; Stiers has been in many films and also provided the voices for Governor Ratcliffe and Wiggins in Pocahontas as well as the voices of Cogsworth and of the Narrator in Beauty and the Beast.

Lilo & Stitch was directed by Dean DeBlois and the above mentioned Christopher Michael Sanders.  DeBlois and Sanders have also been involved in the writing department of Mulan

Five Facts:
      1.)  During the photo montage at the end, the film pays homage to Norman Rockwell’s Thanksgiving painting.
      2.)  The film earned $145 million at the box office, Disney’s highest earned film since 1999’s Tarzan.
      3.)  The producer Clark Spencer said the story was originally supposed to take place in Kansas rather than on Kauai.
      4.)  During the scene where Lilo shows Stitch where he will sleep, a Hidden Mickey is seen in the upper right hand corner of the screen.
      5.)  In the scene at the hotel, Stitch carries a rose which was inspired by an animation student who gave flowers to fellow animation students as well as animators themselves at the annual Disney Institute animation classes.

Lilo & Stitch is a highly enjoyable film.  With classic animation and charm galore, this is an absolutely heartfelt piece from start to finish.  Despite a couple moments of Stitch’s occasional gross humor, you immediately forget about it and instead fall in love with all of the characters.  While this is not a personal favorite of mine, it is indeed one which I would call an excellent animated film and one worthy of watching every year.


My Rating:  4/5

I have just determined this situation to be far too hazardous.

Monday, June 17, 2013

Disney Film Project Podcast - Episode 128 - Lilo & Stitch


This week the DFPP team heads to the island of Kauai to investigate reports of an invasive new species with possible extraterrestrial origins and learn that a little ohana can tame the most dangerous of beasts in the 2002 animated adventure Lilo & Stitch.

Sunday, June 16, 2013

Minnie's the Wizard of Dizz DVD Release




Normally, the Mickey Mouse Clubhouse is not something I would review, but after the Disney Film Project Podcast took a look at Sofia the First: Once Upon a Princess, when Disney decided to release the special Minnie’s The Wizard of Dizz, I thought I would take a look.  It’s not that I haven’t seen an episode of the show before - I have been known to get down with the Hot Dog Dance once or twice before myself (Goofy if you must know).  The point is that it’s still just a television show, not a movie.  And I’ll be honest, despite this feature coming in at 101 minutes long, it’s still just an episode of the show albeit a longer one.  Sofia was much different in retrospect.

Don’t get me wrong, it’s not bad at all.  It’s just not a movie.  It has all the exact same elements of every episode of the Mickey Mouse Clubhouse that keep kids coming back for more.  Minnie, Mickey, Donald, Daisy, Goofy, and Pluto are all there along with a few others.  Instead of Toodles they sub in an identical, but pink character (because blue and pink are reversed in the Clubhouse world and Dizz) named Woodles.  Etc.

There are a number of nods to the Wizard of Oz throughout.  For starters you have Minnie and Pluto playing the roles of Dorothy and Toto, though their journey to Dizz, on a pink tornado, is a lot less catastrophic than Dorothy’s journey to Oz.  Along the way they meet Clarabelle the Good Witch, who provides her with “Sparkly Green Shoes” that should be able to help her to get home, but in her usual forgetful way, Clarabelle forgets how.  This puts Minnie at odds with Pete the Bad Witch.  Along the way she meets the Chipmunchkins, Scarecrow Goofy, Mickey the Tin Mouse, and Donald the Lion.  And the all head off down the “Pink Polkadotted Road” to find the Wizard of Dizz.

In addition, the DVD has 2 more episodes of the Mickey Mouse Clubhouse on the DVD as well: “The Golden Boo Boo” and “Goofy’s Gone”.  There’s also 10 episodes of Minnie’s Bow-Toons, which are small shorts involving Minnie Mouse and some friends.  And iOS users will be able to download a free copy of the Minnie Bow Maker app (normally $3.99).  Overall this appears to be a relatively good value for parents to buy for their kids who are Mickey Mouse Clubhouse fans - especially with prices currently in the $12 to $15 range.



Monday, June 10, 2013

Disney Film Project Podcast - Episode 127 - The Shaggy Dog


This week the DFPP team is hot on the trail of rumored black magic artifacts when they stumble into a spy ring bent on stealing pocket watches and the mysterious case of a disappearing boy and dog in the 1959 comedy The Shaggy Dog.

Thursday, June 6, 2013

Let's Stick Together

The relationship between Donald and Spike the bee has been one to watch in the latest versions of the Donald Duck shorts.  As I’ve said here many times, the best Donald Duck shorts are ones where he gets progressively frustrated, leading to some sort of manic blow up.  Certainly the original Spike & Donald shorts started off this way, but when we get to Let’s Stick Together, things have changed.  In this one, the two become partners rather than adversaries, and it leads to some intriguing gags.



The story of Let’s Stick Together is told by an aged Spike, looking down from his tree perch on a bearded Donald.  The entire story is told in flashback, which gives it a more cohesive narrative than some of the other shorts we have looked at recently.  The tale unfolds before the viewer, rather than making quick transitions from gag to gag.  There is a higher degree of storytelling going on in this short than in others of the early 1950s, and it’s a welcome sight.



Having Spike as the narrator, though, tends to make things much more about him, as the story is told from his point of view.  To that end, it’s not really a Donald Duck story, but more about the bee’s interactions with him.  We hear how the bee was trying to find a new occupation, and ended up working with Donald as a trash collector, using his stinger to give Donald a break.  It’s a cute gag that ends up as the foundation for the story, as Donald finds new and intriguing ways to use Spike’s stinger to create new businesses.  My favorite is when Donald has his little friend tattoo sailors who have come in for Fleet Week. 



Through all kinds of ventures, such as Spike popping the balloons that Donald just sold to kids or creating a factory that has Spike sewing things together with his stinger, Donald is looking for the next big buck.  Spike, though, has different plans when he meets a female bee in the greenhouse after a particularly long day.  Once he falls in love, there’s no turning back.  Hearts and love messages end up on every single piece that Spike is sewing, causing Donald to go crazy.  He takes it too far, trying to crush the female with a fly swatter, causing the break-up of the duo.



In the end Donald goes a little nuts, but not in the way that he has in other shorts.  It’s a simple touch, but inverting the formula of having his antagonist drive him crazy and making them partners made the whole thing feel fresh.  They even end up re-uniting at the end, because Spike has had enough of his badgering wife.  It’s so interesting because it makes for something unique, which was not the hallmark of Disney shorts of the time. 

Wednesday, June 5, 2013

Man's Best Friend

After watching both the 1959 and 2006 versions of The Shaggy Dog recently for the Disney Film Project podcast, I wasn’t at all looking forward to watching Goofy deal with a canine friend in Man’s Best Friend.  It is, however, a continuation of the George Geef version of the Goof, the third distinct evolution of my favorite character.  After all, he began as Dippy Dawg, evolved into the “How To” genius that’s his most famous form, and during the early 1950s has become the suburban dad.  With that comes the need to deal with owning a dog.


This short also features three distinct sections, sort of breaking down each piece of the dog owning process.  The first bit deals with Geef seeing the proverbial doggie in the window, and deciding to purchase it and train it.  There’s some good comedy here, such as Goofy actually laying down and doing the tricks himself rather than the dog, Bowser, doing them.  It’s pretty standard stuff, however, as the dog proves to be smarter than the master.  That’s pretty normal for this kind of short.



The second bit is a different type of comedy, though, as it takes the normal dog vs. man dynamic and upends it a bit, as the dog forces Goofy into conflict with his neighbors.  After Bowser trashes every thing within walking distance, Goofy is forced to repay his neighbors for the damages in a nice funny scene.  Unfortunately, that’s about the only good gag in the middle part of the short.  The rest is merely Goofy being dragged along by the larger Bowser, which is a typical gag.



The final section, though, is a nice payoff, as we see Bowser’s ability, or lack thereof, to be a guard dog.  The dog ends up sleeping through the thieves breaking into the house, their eventual capture by the police, and everything in between.  But when Goofy returns from his fancy outing, Bowser is immediately awake and attacks his master, with all the ferocity he did not display for the thieves.



Man’s Best Friend ends up playing out like a typical George Geef short, which means that the gags are good, not great, and the storyline is rather predictable.  That doesn’t necessarily mean bad, it just means that it’s not the wild action we were used to from the “How To” shorts.  It’s something that has been a slow change for the company from the late 1930s to the 1950s, but ends up making a lot of shorts that people will count as sugary or simple.  In my opinion, Man’s Best Friend falls in that groove, being a nice, funny short, but not original or very compelling.  Still, worth the watch if you like Goofy like I do.

Monday, June 3, 2013

Disney Film Project Podcast - Episode 126 - The One and Only, Genuine, Original Family Band



This week the DFPP team and their friend Gretchen head off to Keystone, South Dakota to see if they can put it over with Grover and get caught up in all the singing and dancing in the 1968 musical comedy The One and Only, Genuine, Original Family Band.

Wednesday, May 29, 2013

Two Chips and a Miss

There’s a saying out there that every song has been sung, every story has been told and that now we are just making variations on that same initial set of artistic statements.  The makers of Two Chips and A Miss must have believed it, because this is basically a Tex Avery Red Riding Hood film mashed together with the Country Mouse/City Mouse shorts.  Throw Chip and Dale into a blender with those elements and you’ll come up with what becomes Two Chips and a Miss. 



The title is one that doesn’t really make much sense, since there’s actually only one Chip, but I digress.  The basic plot here is that both Chip and Dale want to pursue a female chipmunk, but neither wants to deal with the other.  So, rather than offend the other, each concocts a way to sneak out of their treehouse and into a club in the city to meet the girl.  It doesn’t take long to run smack dab into a scene from Riding Hood and the wolf from the Tex Avery cartoons.



All the tropes are there.  The chipmunks fight over the girl, turn into wolves when she makes a seductive move and generally make fools of themselves throughout the proceedings.  For modern audiences, it would be akin to watching the Jessica Rabbit scene from Who Framed Roger Rabbit?, but it was definitely inspired by the classic Tex Avery shorts.  The chipmunks, who have never had this sort of lustful interaction before, don’t make a particularly good subject for that sort of humor. 



When watching, it doesn’t seem like there was a well thought out plan for this short beyond “let’s do something where the chipmunks fight over a girl.”  The gags are rather flat, and they don’t go much beyond the cheap eyes wide open, drooling over the girl stuff you’d expect.  To be fair, Chip and Dale are hard characters to really do a lot with, since their primary goal in life is to steal food from Donald, at least as their early appearances go.  Having them as a solo act doesn’t work, as they need an antagonist to make their travails worthwhile.



In the end, Two Chips and a Miss comes off as what I expect it was, an attempt to create a competing cartoon for some of Warner Bros. best. It’s something that seems like part of a pre-packaged group of shorts that Disney just needed to produce.  Two Chips and a Miss is definitely a miss, not one of Disney’s best.

Monday, May 27, 2013

Disney Film Project Podcast - Episode 125 - Star Wars: Episode IV - A New Hope



A long time ago in a galaxy far, far away.... The DFPP hosts, along with the help of Jedi Knight Tsu-Bam Halcyon have stolen the plans to Darth Vader’s coffee maker and now brew with the Force in the 1977 adventure Star Wars: Episode IV - A New Hope.


Show notes:

Enjoy the show!

Monday, May 20, 2013

Disney Film Project Podcast - Episode 124 - Toby Tyler



This week the DFPP team and their friends Adam and Andrew take a trip to the circus to drink some purple lemonade and end up being held hostage by a gun toting chimpanzee that steals concessions and rides a horse in the 1960 family film Toby Tyler.