Friday, August 5, 2011

Fun and Fancy Free - Bongo

As previously mentioned, Fun and Fancy Free consists primarily of two featurettes that Disney was unable or unwilling to develop into full length features. Using Jiminy Cricket as the bridge device between the two, the film launches into Bongo as the first subject.




Bongo is a character in search of a story, as best I can tell. The story told in this film is that of the circus bear who escapes, only to see that life out in the open is not as easy and carefree as he might have imagined. When he meets a female bear, Lulu Belle, however, that changes. Although he has to overcome some challenges for her affection, Bongo ultimately prevails and is able to win her heart.

It’s a very slight story that could honestly have been told in a 7 minute short, so seeing it stretched over 35 minutes is a problem. It’s kind of like spreading your peanut butter too thin. While you still get some peanuty goodness, in the end it’s not enough. Bongo is that kind of effort. There’s good stuff in there, especially the animation and some of the storytelling, but the overall story is lacking.



A couple of things that seem like they were put in the film to alleviate that problem actually tend to make it worse. The first is the narrator Dinah Shore, who handles all the dialogue for the characters. That leaves every character in the film silent, trying to act to Shore’s intonations. Unlike Dumbo, where the main character doesn’t speak but the others do, it makes every character reliant on the narration, and that lessens some of the impact.

The other thing that pads out the film is a grouping of songs. From “Lazy Countryside” to songs about the bears falling in love, the musical portions are very lengthy and although they advance the story nominally, they also slow it down considerably. Add in the fact that Dinah Shore sings all the songs, and you have one voice throughout the entire film.



This is not to say that the entire thing is bad. The character designs for Bongo and Lulu Belle are completely adorable. The acting between them and the emotion that the animators embue them with is fantastic, especially considering that they had no voice acting to cue them. Also, the gags in certain places are quite funny, even though many others don’t quite hit the mark.



In the end, Bongo learns that you need motivation to change, which comes in the form of Lulu Belle. But it’s very hard to connect to either he or Lulu Belle as characters, despite the great work that the animators do. It never gets to the point of boring, but Bongo drags a great deal, and makes it hard for the viewer to remain engaged with the characters.

3 comments:

  1. I saw Fun and Fancy Free for the first time this year as part of my own mini Disney Film Project: the British Film Institute, in partnership with Disney, are screening all fifty animated features from Snow White and the Seven Dwarfs to Tangled in a season they're calling the Disney 50. I'm seeing all of them, which has been so wonderful to be able to see them on the big screen as they were intended.

    I'll be honest: I struggled with the final message of Bongo... The animation is great and Bongo's a likeable enough little hero (I'm particularly impressed how Art Babbitt manages to make Bongo look so excited one moment and so forlorn the next - not an easy trick, especially if you're on a unicycle)... But "A Bear Likes to Say It With a Slap"?

    I'm bringing a 2011 head to a film that's nearly sixty-five years old, I know. And Bongo's certainly not advocating domestic violence... But "A Bear Likes to Say It With a Slap"? I dunno, Ryan... I struggled!

    C.//
    X.

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  2. I can definitely see that. I think I brought a 2011 mindset to it as well, and it was frankly just dull. I was hoping for more and had seen more in previous films, but this was not great for me.

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  3. I've always felt a strong dislike for this, It's just way, way too syrupy sweet and optimistic. Plus,the whole "say it with a slap" thing is just downright weird. I'm not so sure if the animators didn't know what they were doing, as there's some rather leery symbolism in the "Too Good to be True" musical number too. Sounds like someone in the storyboard department had a little too much fun with this one ... >barf<.

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